Cozina Valeriya
Cozina Valeriya
1970 Born in 1970 in Podolsk, Russia. 1985 Graduated from the Podolsk Art School, Podolsk, Russia 1989 Graduated from Moscow Art College commemorated to the revolutionary events of 1905 year, Moscow, Russia Member of Artist’s Creative Union of Russia Member of International Federation of Artists. The paintings by Cozina prove that the primary elements of creation such as the line, the form, the colour, the texture, the spot and the rhythm are capable of becoming an analogue of a deep figurative experience. And at the same time they do not require to be construed in some context. The rhythmic of colour spots and the conditional character of light turns the panel, which seems to be flat, into an unfathomable metaphysical space with the objects that dwell on the verge between appearance and disappearance. Everything is unstable there - each instant takes a particle of being away. Such an inclination for infinity and for the eternal truth demonstrates the monumental principle of the easel painting.
1970 Born in 1970 in Podolsk, Russia. 1985 Graduated from the Podolsk Art School, Podolsk, Russia 1989 Graduated from Moscow Art College commemorated to the revolutionary events of 1905 year, Moscow, Russia Member of Artist’s Creative Union of Russia Member of International Federation of Artists. The paintings by Cozina prove that the primary elements of creation such as the line, the form, the colour, the texture, the spot and the rhythm are capable of becoming an analogue of a deep figurative experience. And at the same time they do not require to be construed in some context. The rhythmic of colour spots and the conditional character of light turns the panel, which seems to be flat, into an unfathomable metaphysical space with the objects that dwell on the verge between appearance and disappearance. Everything is unstable there - each instant takes a particle of being away. Such an inclination for infinity and for the eternal truth demonstrates the monumental principle of the easel painting.



